Ahora si! afirmo: sin dudas este es el mejor blog de los que he visitado ultimamente.Impresionante loco!!! ahora boiarsky, alternativa con quistral! increible! a proposito de quistral; saben quien era el otro integrante ademas de gabriel ogando? un abrazo!!!!
Gracias Peyote por subirlo! Yo me tomé el trabajo de recuperarlo de un cassette que tengo a mp3, pero creo que desde el disco estará mucho mejor y en tono para tocar "arriba" de Andrés.. (Gene Hackman on The Conversation-FF Coppola).
Si... 'el maquinista', sabemos que 'Quistral' era un trio y que los otros integrantes ademàs de Gabriel Ogando eran Marcelo Braga y Guillermo Medin:
By releasing the song ‘Tantas cosas’, the acoustic duo ‘Gabriel & Marcelo’ planned closing their contribution to the folk genre. Sympathetically with most of male duos of that period, songwriter Gabriel Ogando desired as well a new texture for his compositions, a departure from the simplicity of folk closed harmonic structures into the limitless of the classical orchestra melodic palette. Named after a bird supposedly from the Argentinean south, ‘Quistral’ meant to be ‘Gabriel & Marcelo’ next evolutionary musical stage.
In 1974, Gabriel Ogando crystallized this new project, by meeting keyboardist Guillermo Medin ([Artist596623]- [Artist673929]) who at that time was playing with Tito Losavio ([Artist122186]) in ‘Burbujas’, a Tropical/Dance group under the leadership of percussionist guru Guido ’Chiche’ Abregu. ‘Quistral’ rehearsals started shortly after- wards in Guillermo Medin’s studio in Lomas de Zamora, South Buenos Aires.
All songs were re-arranged, re-harmonized and orchestra- ted accordingly to Gabriel Ogando`s plan and in 1975 trio ‘Quistral’ presented this new shaped-up material in IFT Theatre, in the off ‘Once’ neighborhood. This unique un- plugged concert featured Gabriel Ogando/Marcelo Braga in acoustic guitars/vocals and Guillermo Medin in acoustic piano and represents the solely ‘Quistral’ formation ever known to the public.
Due to some kind of disagreement between the two vocalist, (not into commenting about soap-opera subjects) the trio ‘Quistral’ splitted-up. Desillusionized Gabriel Ogando just recovered from it years afterwards and joined Marilina Ross, Marcelo Braga opted instead for a career in music teaching and Guillermo Medin ended up in the house of Alejandro De Michele of ‘Pastoral’ ([Artist47004]) in Liniers, West Buenos Aires, studying Gustavo Beytelmann’s orchestral score for ‘Humanos’ ([Album241228]). Alejandro De Michele fore- seeing director Beytelmann was leaving the country in 1976, he convoked keyboardist Guillermo Medin for implementing same textures for live shows scenarios.
Ahora si! afirmo: sin dudas este es el mejor blog de los que he visitado ultimamente.Impresionante loco!!! ahora boiarsky, alternativa con quistral! increible! a proposito de quistral; saben quien era el otro integrante ademas de gabriel ogando? un abrazo!!!!
ResponderEliminarGracias Peyote por subirlo! Yo me tomé el trabajo de recuperarlo de un cassette que tengo a mp3, pero creo que desde el disco estará mucho mejor y en tono para tocar "arriba" de Andrés.. (Gene Hackman on The Conversation-FF Coppola).
ResponderEliminarAlbino Red, gracias por agradecer.Abrazos
ResponderEliminarSi... 'el maquinista', sabemos que 'Quistral'
ResponderEliminarera un trio y que los otros integrantes ademàs
de Gabriel Ogando eran Marcelo Braga y Guillermo Medin:
By releasing the song ‘Tantas cosas’, the acoustic duo
‘Gabriel & Marcelo’ planned closing their contribution
to the folk genre. Sympathetically with most of male
duos of that period, songwriter Gabriel Ogando desired
as well a new texture for his compositions, a departure
from the simplicity of folk closed harmonic structures
into the limitless of the classical orchestra melodic palette.
Named after a bird supposedly from the Argentinean
south, ‘Quistral’ meant to be ‘Gabriel & Marcelo’ next
evolutionary musical stage.
In 1974, Gabriel Ogando crystallized this new project, by
meeting keyboardist Guillermo Medin ([Artist596623]-
[Artist673929]) who at that time was playing with Tito
Losavio ([Artist122186]) in ‘Burbujas’, a Tropical/Dance
group under the leadership of percussionist guru Guido
’Chiche’ Abregu. ‘Quistral’ rehearsals started shortly after-
wards in Guillermo Medin’s studio in Lomas de Zamora,
South Buenos Aires.
All songs were re-arranged, re-harmonized and orchestra-
ted accordingly to Gabriel Ogando`s plan and in 1975 trio
‘Quistral’ presented this new shaped-up material in IFT
Theatre, in the off ‘Once’ neighborhood. This unique un-
plugged concert featured Gabriel Ogando/Marcelo Braga in
acoustic guitars/vocals and Guillermo Medin in acoustic
piano and represents the solely ‘Quistral’ formation ever
known to the public.
Due to some kind of disagreement between the two vocalist,
(not into commenting about soap-opera subjects) the trio
‘Quistral’ splitted-up. Desillusionized Gabriel Ogando just
recovered from it years afterwards and joined Marilina Ross,
Marcelo Braga opted instead for a career in music teaching
and Guillermo Medin ended up in the house of Alejandro De
Michele of ‘Pastoral’ ([Artist47004]) in Liniers, West Buenos
Aires, studying Gustavo Beytelmann’s orchestral score for
‘Humanos’ ([Album241228]). Alejandro De Michele fore-
seeing director Beytelmann was leaving the country in 1976,
he convoked keyboardist Guillermo Medin for implementing
same textures for live shows scenarios.
muchas gracias por estos discos del gran musico carlos franzetti
ResponderEliminarMuchas gracias. Lo tenía incompleto. Excelente trabajo.
ResponderEliminar